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Magis
TRAFFIC Armchair

Design: Konstantin Grcic

2013

stylepark-id: 05.1670.10307

TRAFFIC Armchair

01 product description

Product description

Traffic is a collection of furniture using wire and upholstery. The correlation between the three-dimensional line drawing of the metal rod and the geometric volumes of the cushions marks a significant shift from the common connotation of wire furniture. The unassuming simplicity of its conception impart a pleasant casualness. The refinements of detailing and carefully tailored proportions stimulate a resounding elegance. The inherent logic of construction creates a formal grammar which allows for a number of functional declinations to form the Traffic collection: an armchair, a two seater sofa, a bench (in two versions), a chaise longue, and a platform. All pieces are available with upholstery in fabric or leather, while the metal structure is powder coated in high gloss colours.

02 dimensions/weight


overall dimension  
width
820 mm
height
720 mm
Depth
800 mm
Seat dimensions  
Width of seat
520 mm
Height of seat
410 mm

03 All Traffic Products

04 Tags

Chairs, Design Culture, Design History, Design Weeks, Event, Exhibitions, fairs, German Design, imm cologne 2014, Interview, Konstantin Grcic Articles, Konstantin Grcic Products, Magis Articles, Magis Products, making of, Portrait, Products, Public Spaces, Salone del Mobile Milan 2013

05 Articles about Magis and Konstantin Grcic

Out on<br/> the roof, too

Out on
the roof, too

Product Design students of École Cantonale d’Art de Lausanne had a go at outfitting “Appartement 50” in Marseille’s “Cité Radieuse”. The result is an homage to Le Corbusier that uses plenty of color and adaptable furniture.

› To the article
Pretty hot-wired

Pretty hot-wired

They were all the rage in the 1950s, now they are back again: metal-wire structures, both stable and delicate in appearance. We have picked out several large and small tables for you.

› To the article
Four legs and a seat shell

Four legs and a seat shell

Yes, folks, it really does exist: the universal chair of 2015. It was designed by various hands, comes in numerous versions and yet still follows a typology going back to a famous forebear. Ultimately, it is the subtle differences that count.

› To the article
› Show all articles

06 Glossary

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