Creativity, quality and economic viability can all be associated with the term design. The Scandinavian governments have taken advantage of this and are investing in promoting both the discipline and their own image.
Scandinavian design is known for its clear forms, durability and careful craftsmanship. Do students from Denmark, Sweden, Norway, Finland and Iceland still design in accordance with these principles today? Juliane Grützner asked some of them.
News & Stories
Designpääkaupunki 2012
by Andrea Eschbach
How much are titles, prizes and other distinctions really worth? What some consider a mark of quality is seen by others as a red rag. The Finnish capital Helsinki has been selected as the World Design Capital 2012 – and is definitely worth a visit.Danish designer Kasper Salto dreamed up new chair for Fritz Hansen, a shell chair that allows for any number of different seating positions. Because you only sit healthily if you keep on changing your position. Nancy Jehmlich in conversation with Salto about today's challenges of designing a chair.
In the works by Swedish design group "Front" the divides are blurred. After all, what you see is not always what you feel. During the Cologne furniture fair the magazine Architektur&Wohnen and Audi awarded the "A&W Designer of the Year" prize. Nancy Jehmlich talked to the designers about animals as designers, good design, and working as a threesome.
News & Stories
Fredrik Mattson's Swedish Profundity
by Sandra Hofmeister
He plays piano in a jazz band, is a trained carpenter, and studied design in Stockholm: His friends like to call Fredrik Mattson the Chick Corea of Swedish design; although a mere 35 years old this Nordic talent, humorous yet serious has already received many prizes. Only recently Mattson received a Red Dot and some time ago the Golden Chair.Sometimes they use original plan, other times they rely on an aged furniture item – Erling and Egon Petersen, two brothers from Ormslev, Denmark go to endless lengths in their quest to breathe new life into an original design from the previous century.
There is a noticeably large number of women in design in Scandinavia. From Nanna Ditzel to Front Design, female designers have always played an important role in Nordic countries. Does this have something to do with design style? Or is it quite simply a question of equality?
Be it park benches, conference tables or outdoor chairs – there's always an additional use to Thomas Bernstrand's designs, even though they stand in the tradition of classic Scandinavian design.




















