| overall dimension | |
|---|---|
Ширина |
290 mm |
Высота |
140 mm |
Глубина |
110 mm |
Established & Sons
Font Clock G100

Established & Sons
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Design: Sebastian Wrong
Идентификатор Stylepark: 01.4211.00047
categories: |
Design
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аксессуары для гостиных/офисов
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01 профиль изделия
Описание изделия
The Font Clock takes the iconic calendar clock with its distinctive form and flip mechanism and introduces a variety of contemporary typefaces in an ever-changing display. Twelve very different typefaces are employed in the subtle transformation of this timeless design masterpiece. These range from modern renditions of classic type families like Bodoni to 20th century classics like Franklin Gothic and Helvetica.
True to its philosophy of working with and promoting the very best of British design, Established & Sons has chosen to work with the Grayson Time Management System. Grayson is responsible for providing the timekeeping for institutions such as the London Stock Exchange. The Font Clock is available in three sizes.
02 габариты/вес
| Weight | |
|---|---|
Вес |
1,2 kg |
03 All Font Clock Products
04 Tags
Established & Sons Articles, Established & Sons Products, Sebastian Wrong Articles, Sebastian Wrong Products05 Articles about Established & Sons and Sebastian Wrong
18 million coins for the Underground
In 2012, Edward Barber uand Jay Osgerby caused quite a stir with their design for the Olympic torch. This year the two architects are placing a renewed emphasis on furniture design. Uta Abendroth met with one half of the duo, Jay Osgerby, in Milan, where their sofas, tables and stool premiered at Knoll.
› To the articleTwo brothers in a brilliant game with nature. Hey, boys will be boys
I’m tempted to say: It’s about time. Ronan and Erwan Bouroullec have been named “A&W Designers of the Year 2013”. Certainly cause for a portrait of these two designers extraordinaire.
› To the articleSebastian Wrong: A camouflaged carpet
“…The concept was inspired by warship ‘dazzle’ design, which was used in the early 20th century to provide abstract camouflage to moving objects…”
› To the article






