von Fabian Peters | 15.11.2017
Bocci hat in seiner Berliner Niederlassung die neuesten Kreationen spektakulär in Szene gesetzt.
Designed by Omer Arbel, Bocci’s Creative Diretor, 57 is an exploration of a technique of making analogous to that used for producing open cell foam. The process involves trapping voids of air of different sizes and configurations within a glass matrix, and then injecting air into the composition, yielding a shape loosely referencing a rain cloud. These pockets of air remain invisible when the piece is off, but come alive to reveal an interior universe when the piece is turned on. As with all of Arbel’s recent body of work, it is the technique of making that yields 57’s form, which is unique in every iteration of the procedure.
A flexible suspension system allows easy composition: Pendants may be clustered such that they touch each other, referencing a cloudy sky (an especially poignant reference in the City of Vancouver, where the idea was born); they may also be composed as a field, such that each piece can be perceived individually, perhaps referencing a child’s drawing of a could (equally poignant but in a more universal manner). Most chandeliers are fundamentally vertical in composition, which is why they work best in rooms with high ceilings; in contrast, 57 is conceived as a layer or strata of light, or in other words, a horizontal chandelier.
LED: A+ - A
Xenon: A+ - E
|Material||Glas (nicht spezifiziert)|
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