Isfahan - A deep bow, enlightenment, not to mention amazement are what strike you in view of the city's cultural treasures. Incredible difference in space, time and what is experienced. From the hot narrow nooks and crannies in the bazaar, suddenly Imam Square opens up before you: built at the end of the 16th century, it is gigantic in scale (512x159 meters) and thus the world's third largest square. In its arcades you will find the most beautiful mosques and palaces, as proud as they are humble. With such astonishingly fine and ingenious details as to stun even the hardest-nose designer. You invariably find yourself confronted by the fact that Islamic ornamentation seems to us Europeans to be highly modern and minimalist when compared with our own art and cultural history. So how do designers and architects in today's Iran and in the Islamic world in general see it? What is the current understanding of these marvelous forms that developed over centuries? And where is contemporary design to be found here? We go hunting. The garish children's toys, the polyester fashion from the Far East, and the traditional restaurant are not where it's at. A fundamental melancholy rises in me, and nascent thoughts are becoming more global again: Where are those past times to be found in design today, those former sensitivities and that perfection?! The answers have not yet been forthcoming. Wait and see, and drink a tea. And that is definitely something you can do superbly in Isfahan with its inspiring and human atmosphere.