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A characteristic element of the series "Vaia" is the cross-grip, which was reinterpreted by Dornbracht and Sieger Design for the first time with the fitting "Tara".
A characteristic element of the series "Vaia" is the cross-grip, which was reinterpreted by Dornbracht and Sieger Design for the first time with the fitting "Tara".
© Dornbracht
A characteristic element of the series "Vaia" is the cross-grip, which was reinterpreted by Dornbracht and Sieger Design for the first time with the fitting "Tara".

STYLEPARK X DORNBRACHT
Celebrating bathroom architecture

Architect Rafael de Cárdenas and architecture duo Neri&Hu have developed spatial concepts for Dornbracht in which the latter’s new range of faucets, which goes by the name of “Vaia”, has its own special role to play.
by Anna Moldenhauer | 6/26/2017

Classic with a contemporary twist – “Vaia” is the name of the new range of faucets by Dornbracht which was launched at ISH in Frankfurt am Main at the beginning of the year. One of the range’s signature elements is its cross-handle faucets, an element which was reinterpreted back at the beginning of the 1990s by Dornbracht and Sieger Design with the “Tara” faucet line. However, in contrast to the latter’s pared-down, geometric look “Vaia” seems softer and has flowing transitions. Taking its lead from the current “transitional style” trend in interior design, the “Vaia” combines traditional elegance with a contemporary clarity, thus giving the range the flexibility to fit in with various different kinds of bathroom architecture.

Just how much variety is possible by combining the traditional with the modern is demonstrated by the concept studies developed for Dornbracht by two firms of international architects – Rafael de Cárdenas and Neri&Hu. Their ideas formed the basis for clear bathroom architectures which were subsequently elaborated by the agency Meiré und Meiré and are now available as inspiration for architects, interior designers, bathroom planners and house builders in the private sector.

In its contrasting design, the designer and architect Rafael de Cárdenas oppose smooth surfaces to raw materials such as brick.
In its contrasting design, the designer and architect Rafael de Cárdenas oppose smooth surfaces to raw materials such as brick.
© Dornbracht
In its contrasting design, the designer and architect Rafael de Cárdenas oppose smooth surfaces to raw materials such as brick.
In the design of Lyndon Neri and Rossana Hu, the bath is thought to be a place of dwelling and regeneration, and as such takes into account the healing power of the water.
In the design of Lyndon Neri and Rossana Hu, the bath is thought to be a place of dwelling and regeneration, and as such takes into account the healing power of the water.
© Dornbracht
In the design of Lyndon Neri and Rossana Hu, the bath is thought to be a place of dwelling and regeneration, and as such takes into account the healing power of the water.

Playing with contrasts

Designer and architect Rafael de Cárdenas, well-known for his luxurious solutions, promulgates a multidisciplinary approach in New York City and London offices. The “Vaia” faucet inspired him to produce a bathroom architecture whose mesmerizing, flowing look results from combining simple geometrical shapes with a wall boasting sweeping lines. The footprint of the design is similar to a round arch with a wall snaking through it in an S shape and with the washstand, the shower and a recessed bathtub integrated into it. The shape of the arch is not only part of the structure of the room, but is also reflected in that of the wall openings, the arrangement of the marble slabs on the floor and the translucent barrel arches directly above the shower.

This sensual interplay of light and shadow is also to be found in the bathroom architecture devised by Meiré und Meiré. Taking its lead from central elements of de Cárdenas’ design and in combination with the simple materiality of brick, it conveys a feel which is at once both archaic and contemplative. This mood is underscored by the dark, satin-finish faucets in matte dark platinum and the smooth surface of the heavy, monolithic washstand. Materials such as acrylic stone, tinted glass and moss, marble, bog oak, cognac leather and a violet fitted carpet complete the look.

Rafael de Cárdenas combined the "Vaia" finish in Dark Platinum matt, acrylic stone, smoked glass, moss, marble, moss oak, cognac-colored leather and a violet carpet floor.
Rafael de Cárdenas combined the "Vaia" finish in Dark Platinum matt, acrylic stone, smoked glass, moss, marble, moss oak, cognac-colored leather and a violet carpet floor.
© Dornbracht
Rafael de Cárdenas combined the "Vaia" finish in Dark Platinum matt, acrylic stone, smoked glass, moss, marble, moss oak, cognac-colored leather and a violet carpet floor.
The archaic and contemplative atmosphere in de Cárdena's space concept is supported by the smooth surface of the heavy, monolithic washstand.
The archaic and contemplative atmosphere in de Cárdena's space concept is supported by the smooth surface of the heavy, monolithic washstand.
© Dornbracht
The archaic and contemplative atmosphere in de Cárdena's space concept is supported by the smooth surface of the heavy, monolithic washstand.

Celebrating rituals

The influence of Asian building culture is clearly noticeable in the design by Lyndon Neri and Rossana Hu, who together head up the Shanghai-based architectural bureau of Neri&Hu. Their design follows in the Asian tradition of the bathroom as a place to linger, one of regeneration. As such, it focuses on the healing and fortifying power of water. With this focus in mind, everyday rituals become particularly important and are positively celebrated. Neri&Hu accordingly allocated their golden washstand a central position in their architecture, thus providing the “Vaia” faucets in matte platinum with an impressive setting. Something in common with de Cárdena’s design is the openness of the architecture – but whereas in de Cárdena’s design diffuse daylight filters through the transparent cupola, with Neri&Hu’s it floods in unchecked. Moreover, Neri&Hu’s design provides a further link with nature – connecting their interior with the outdoor area, the water which falls through the opened roof when it rains collects in a basin. In the corresponding bathroom architecture, the transitional nature of these designs is reflected in the interplay of the materials used – with gold being combined with wood and high-end marble with raw concrete.

From July 2017, Dornbracht will use the hashtag #createanewbalance to invite architects, interior designers, designers, bathroom planners and interested consumers to share their own interpretations of the transitional style.

In the Moodboard by Neri & Hu, the transitory character is reflected in the interplay of the materials - gold meets wood, noble marble on raw concrete.
In the Moodboard by Neri & Hu, the transitory character is reflected in the interplay of the materials - gold meets wood, noble marble on raw concrete.
© Dornbracht
In the Moodboard by Neri & Hu, the transitory character is reflected in the interplay of the materials - gold meets wood, noble marble on raw concrete.
Everyday rituals are celebrated with Lyndon Neri and Rossana Hu. Equally imposing is their stage with a golden washstand for the "Vaia" armatures in platinum matt.
Everyday rituals are celebrated with Lyndon Neri and Rossana Hu. Equally imposing is their stage with a golden washstand for the "Vaia" armatures in platinum matt.
© Dornbracht
Everyday rituals are celebrated with Lyndon Neri and Rossana Hu. Equally imposing is their stage with a golden washstand for the "Vaia" armatures in platinum matt.

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