There is a noticeably large number of women in design in Scandinavia. From Nanna Ditzel to Front Design, female designers have always played an important role in Nordic countries. Does this have something to do with design style? Or is it quite simply a question of equality?
Creativity, quality and economic viability can all be associated with the term design. The Scandinavian governments have taken advantage of this and are investing in promoting both the discipline and their own image.
Scandinavian design is known for its clear forms, durability and careful craftsmanship. Do students from Denmark, Sweden, Norway, Finland and Iceland still design in accordance with these principles today? Juliane Grützner asked some of them.