Zig Zag’s graphic format is based on a topographic map, suggesting valleys and hills upon a flat surface or objects under the surface. Designer Sebastian Wrong wanted to recreate the original ‘sketched’ effect of coloured pencils on tracing paper in the r
ug’s production by combining the dyed yarns with a hand knotting technique and controlling the density and height of the pile. This resulted in a lively, sketchy, contoured surface and a rug to look at and touch. Zig Zag will bring multiple dimensions to
a variety of interiors.
