Let’s not waste time fiddling about wherever this or that is announced. No, by strict order of the line-up as in any chart list. And go for it full blast!
The roost is of course ruled by the trade fair itself. At the very latest since last year it has more than steadied. As there’s really a lot going on in Cologne now, and this year there’ll again be any amount of new items and proven things to be perused. Not much has changed in terms of the trade-fair zoning: Alongside the traditional fields of Comfort, Smart, Sleep, Prime and Global Lifestyles this time things are again to be pretty “pure”. The “established hitters in the design world” are once again to be found in Hall 11, which is why the segment is now called Pure 11.
Following the success last year, the Pure Editions once again have an open and inviting look in Hall 3.2, where “visionary furniture and furnishing concepts” will be staged.
Pure Village in Hall 3.1 opts once more for a mixed assortment. And here you can walk round “The House” installation, created this year by Danish designer Louise Campbell.
By contrast, the Pure One platform in Hall 1, destined to promote new international design talent, is new. Albeit supplemented by the existing [D³] Contest and [D³] Schools formats. In the [D³] Professionals segment, independent designers and design studios will have the chance to present their ideas and make new contacts.
And what about the Trends? Trend researchers are essentially wretched devils who take the mass of all the stuff on offer, i.e., each relies on more or less the same things, and then have to find a few sparkling items that shed light in the darkness of the future of living. And this year, they really saw the light. The current trend they have discerned is: “Combinations of all shapes and colors”.
Would you have guessed? Well, OK, at least they concede: “The current trends in interior design seem contradictory.” On the one hand, there’s the wish for natural materials, on the other we are thirsting for more color. Which brings us to a veritable trend already visible in Milan in 2013: color, color, color. Yepp, you heard right. Things are getting colorful!
Color is gaining entry everywhere. Cassina did it years go with the famed LCs, and at the Salone del Mobile 2013 Vitra opted for an entirely new color palette – and now, to name just one example, Thonet is also getting in on the act. A malicious mind might suggest that the “classics” have simply been sprayed in a new color and the tubular steel that hitherto was simply chromed and thus slightly anti-modern, has now received a lick of color. But you’ll soon see that the result is simply fresher and friendlier!
Which is why Thonet is now offering the tubular steel frames, and not only for the Mart Stam classic (the S 43) in red, black, chocolate brown, warm grey and mustard yellow, but is presenting its design classics in a state-of-the-art color range. “You have to change to remain the same,” is the conviction of Dutch trend expert Monique van der Reijden. There’s no getting round having to reinvent yourself all the time today – even if the new itself has long since become pretty ancient.
NB: Everything is so colorful here! The future will be a matter of color. As can be seen from Kinnasand and in general as regards fabrics. Color combinations à la Scholten & Bajings are likewise prominent.
Evidently, the lady of the house once again loves sitting in her pleasant home writing those miniature “billets d’amour” – why else is an increasing number of small desks and bureaus on offer for the home? It’s well worth casting a glance at all the different things on show in Cologne.
There’s much more to be discovered, of course, but not everything succeeded in getting nominated in advance for the top of the charts.
The slot goes to Werner Aisslinger, A&W Designer of the Year 2014.
So should we, could we, must we henceforth refer to him as “no. 1”? Or, to adopt the official-speak, as a “visionary all-rounder”? Even if the exhibition by the A&W Designer 2014 at Kölnischer Kunstverein is definitely not a matter of hardcore Werner, who knows, maybe the Kunstverein rooms contain the one or other explosive item? One thing we know for sure: Design has to blow you away, too. And Werner Aisslinger is always good for a surprise. Officially, we read that he knows how to “design both visions, such as the kitchen that generates its own energy, and innovative industrial products and avant-garde furniture.” Werner, as in the comic figure drawn by Brösel, the hardcore guy with the Harley and the explosive beers bottles, would simply have commented tersely: “Aha. Okay. Well that’s something for sure.”
Werner Aisslinger – A&W-Designer des Jahres 2014
Tuesday to Sunday 11 am - 6 pm
Closed on Mondays and Holidays
– presented by Rolf Sachs in Cologne’s MAKK, the Museum für Angewandte Kunst.
Whether the return of the garden gnome (freed from digging coal, cast in bronze and stuck in miner’s garb), that Rolf Sachs celebrates at the MAKK, will help design free itself from objects is definitely a moot point. At any rate, the gnome is meant to symbolize the duly “German” virtue of diligence. Meaning we’re bogged down in clichés from the outset. The artist-cu-designer obviously failed to use the interstate sign that has mutated into a table and points to an ‘exit’ to get off the spinning wheel in time. And so it is that one cliché follows the next. A bronze tower of books (“The Infinite Mind”) consisting of works by German scholars and scientists is meant as an emblem of the cultural heritage of recent centuries. An enlarged brass plumb line is meant to stand for “precision”, and a beer garden table&bench set epitomizes that old German “gemütlichkeit”. A bit worn, such humor? Comic figure Werner, (no, not Aisslinger) would probably have said: “Oooohhh, dearie me!”
Rolf Sachs: “typisch deutsch?”
MAKK, Museum für Angewandte Kunst Köln
An der Rechtschule
Jan. 13, 6 pm private view
Jan. 13 to April 21
Tuesday to Sunday 11 am - 9 pm
Jan 14, 7 pm panel discussion on “typisch deutsch?”
So, jump on the Harley and on to no. 4.
Here, things really did the rounds, and I mean that quite literally. As Design Post is celebrating the 100th anniversary of the hall where it resides. There, a century ago the mails were sorted and the postman sent out on their rounds, whereas today it’s home to a leisurely interaction between design lovers and furniture makers. Alongside spotlighting architectural history, the Design Post team also congratulates Werner Aisslinger, by showcasing what Aisslinger has achieved together with the manufacturers represented in the Design Post – from the “Bikini Island” for Moroso to the new “ADD” modular furniture system for Flötotto. Not to forget, the other Werner, the comic, advises: “Zing, Zang, Zong – The HomeBase-Ferret chews through it all, coz, hey it’s all just DIY stuff...” So keep that ferret out!!!
Deutz Mülheimer Strasse. 22a
Monday and Tuesday by appointment only
Wednesday to Friday 10 am – 6 pm
Saturday 10 am – 4 pm
Which brings us to no. 5.
That’s the placing for Boffi which not only present new products by Luigi Massoni and Piero Lissoni but also a new washbasin by Victor Vasilev. Entitled “Young Perspectives” new designers such as Sarah Böttger, Mark Braun, Florian Hauswirth, Stephanie Jasny, Meike Langer and Florian Schmid were invited to present ideas for kitchen and bathroom accessories. And Werner blasts from the bath: “Ouch, just bared my masterpiece to reveal all.”
Spichern Höfe, Spichernstrasse 8
Opening Jan. 14, 7 pm
Jan 13 - 19
daily from 10 am - 8 pm
no. 6 is all colors, precious, and metals.
In an hommage to product design there are classics and current designs using NF and precious metals to be seen in the exhibition “Alle Metalle / all metal”. As in the eponymous book by Antonia Henschel and Trademark Publishing on show are pieces of furniture, luminaires, accessories and more besides, all made from high-grade metal by the likes of Konstantin Grcic, Tomás Alonso, Mark Holmes, Philipp Mainzer, Oskar Zieta, Stefan Diez, Luigi Caccia Dominioni and Poul Henningsen. The exhibition was organized together with TØNDEL Interior Design, and supported by Sebastian Herkner, and there’s a book store and café into the bargain. Given so much metal, it’s hardly surprising that Werner – and yes I don’t mean Aisslinger, inevitably has to comment on things with: “Really necessary that so much is standing around oxidizing?”
Trademark Publishing & TØNDEL Interior Desig
Bayenstrasse 65, 5th floor
Tuesday to Friday 12 am - 7 pm
Saturday 12 am - 6 pm
So what’s at no. 7?
Right, not just the DNA of Fermob that has evolved over the last 25 years, along with French know-how and a splash of different colors, but also the rediscovered “Idoles” or novelties by Andrée and Olivia Putman, Christophe Pillet, Pascal Morgue, Patrick Jouin, Delo Lindo and Jean-Michel Wilmotte. To which witty Werner, slightly under the weather, can only say: “Hey, I’ve first gotta recover from my simulations!”
Hohenstaufenring 74 – 76
Monday to Friday 10 am – 6.30 pm
Saturday 10 am – 6 pm
Things are Nordic at no. 8. Which Cologne manages without even relying on Abba.
Ever see the Danish TV series “Borgen”? All three seasons ran on Arte albeit with a somewhat misleading German title of “Gefährliche Seilschaften” as in dangerous insiders. And what stood in the study of Danish Prime Minister Birgitte Nyborg? You guessed right. Sofas by Børge Mogensen. Anyone focusing on Danish design classics will inevitably encounter Mogensen. And on the occasion of the anniversary of his 100th birthday, Markanto has assembled a representative selection of his long since classical design, manufactured today by Fredericia in Denmark.
Things are once again Finish at the Hotel Chelsea, where Onecollection is guesting for the tenth time with the Finn Juhl Collection. The number of models in the latter has grown considerably, well beyond “Poet” and “Pelican”. The show includes Finn Juhl’s shelf panel system, the double “Chieftains” chair complete with footrest and the “Council Chair” by Kaspar Salto for the UN Trusteeship Council Chamber in New York, designed by Finn Juhl in 1951 and now refurbished.
“Oouooouooooh,” mumbles the other Werner, whose Harley has been valeted to the hotel forecourt, “that costs real money!”
Mainzer Strasse 26
Saturday 11 am – 4 pm
At no. 9 we return to the fairgrounds. Or into outer space? For Raumplus presents an interactive wardrobe and reaches not for the stars (as the press release would contend) but for the moon. Satellite, yes a satellite! The things the man in the moon owns. But will that really work? Wait and see. At any rate, Moon is a wardrobe that suggests to its owners what the right outfit would be, depending on the weather or the occasion, and in fact even points out in what drawer you’ll find the glam-rags. Can that work? Is the idea, developed together with computer sciences students from Bremen University, pioneering? Or will Mom be annoyed if, what horror, she can no longer choose the right pullover for Dad? Time will tell whether the wardrobe also seeks to be filled with garments in the right style. To which Werner, who prefers the good old world of mechanical objects, can only quip: “Oh nooo.”
Hall 11.3, booth S051
Monday to Saturday 9 am – 6 pm
Sunday 9 am – 5 pm
Which brings us, under the heading of “thinking furniture” to no. 10.
Cologne native Stefan Wewerka has always insisted on being idiosyncratic, creating an oeuvre that blends architecture, design and art – with it having been his furniture designs that mainly led to him being considered an “antifundamentalist”. Because, like no other he has set about bending, chopping up or extending chairs. And now the “Ungers Archiv für Architekturwissenschaft UAA” has joined up with his estate and Tecta to organize a show on his furniture (he died in September 2013). The first homage in Cologne. And Wener loves it, as he has always loved the offbeat.
UAA – Ungers Archiv für Architekturwissenschaft
Pre-Opening Jan. 12, 4 – 6 pm
Jan. 13 – Jan. 19
Monday to Thursday 10 am – 4 pm
Friday and Saturday 11 am – 8 pm
Sunday 11 am – 6 pm
Jan. 20 – Jan. 31
Monday to Friday 10 am – 2 pm
So what’s to be seen this time round at Hallmackenreuther in Belgisches Viertel? Well, here Frankfurt-based light artist Fabian Thiele illuminates and combines old letters in a new way; he has been collecting them for ages, concerning himself with their origins and history. The motto is “Letter. Love. Light.” Okay, no idea what it means, but so what? We’ll find our way to Cologne without the light. Although here it bears following Werner (and no, as I said, I don’t mean Aisslinger) who’s main approach is: “Full Throttle!!!” So – head for Cologne!!!!