von Fabian Peters | 13.06.2018
Im jütländischen Vejle hat der Künstler Olafur Eliasson sein erstes permanentes Gebäude errichtet.
Studio Olafur Eliasson
Christinenstraße 18/19, Haus 2
Olafur Eliasson’s art is driven by his interests in perception, movement, embodied experience, and feelings of self. Eliasson strives to make the concerns of art relevant to society at large. Art, for him, is a crucial means for turning thinking into doing in the world. Eliasson’s diverse works – in sculpture, painting, photography, film, and installations – have been exhibited widely throughout the world. Not limited to the confines of the museum and gallery, his practice engages the broader public sphere through architectural projects and interventions in civic space.
Eliasson was born in 1967. He grew up in Iceland and Denmark and studied, from 1989 to 1995, at the Royal Danish Academy of Fine Arts. In 1995, he moved to Berlin and founded Studio Olafur Eliasson, which today encompasses some seventy-five craftsmen, specialised technicians, architects, archivists, administrators, programmers, art historians, and cooks. Since the mid-1990s, Eliasson has realised numerous major exhibitions and projects around the world. In 2003, Eliasson represented Denmark at the 50th Venice Biennale, with The blind pavilion, and, later that year, he installed The weather project at Tate Modern’s Turbine Hall, London. Take your time: Olafur Eliasson, a survey exhibition organised by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York. Innen Stadt Aussen (Inner City Out), at Martin-Gropius-Bau in 2010, involved interventions across Berlin as well as in the museum. Similarly, in 2011, Seu corpo da obra (Your body of work) engaged with three institutions around São Paulo – SESC Pompeia, SESC Belenzinho, and Pinacoteca do Estado de São Paulo – and spread out into the city itself.