erice wood

Presented:	Salone del Mobile 2013, Milan
Stylepark-ID:	05.1932.10361
Categories:	Home furniture ›Seating furniture ›chairs

Product description

With his erice chair, Alfredo Häberli revisits the essential style and clean lines of his segesta and selinunte collection to create a new shape, with a personality of its own. A distinctive trait is the hole in the back, which ensures elasticity and comfort. The exterior profile of the shell recalls the inner shape of the hole, engendering an impression of movement and balance. Erice is available in a wide choice of base structures: 4 legs, sledge, on wheels, cross shaped, wooden, as well as a new trestle-like version with 4 conified legs. The shell, made from plastic material, offers a choice of colours: white, sand, beige, light blue. Highly comfortable is the soft version with cushions in shaped polyurethane and regenerated leather support, or upholstered with Dacron® covered with Kvadrat® fabric, leather or synthetic leather, and secured to the shell by means of snap fasteners.

Specifications

Height	800 mm
Seat finish	without upholstery
Width of seat	480 mm
Height of seat	500 mm
Depth of seat	550 mm
Base finish	with legs
Backrest finish	without back padding
Armrest finish	without armrests
Material	steel wood
Colors	shades of yellow

All erice Products

erice trestle pad soft

Articles about erice wood

SUSTAINABILITY

Living in a Vision

1/6/2021

Alfredo Häberli combines ecology with design in his house named “Waldsicht”.

INTERVIEWS

STYLEPARK ZOOM IN with Alfredo Häberli

4/20/2020

Alfredo Häberli is one of the internationally established designers: the works created in his studio in Zurich for pioneering companies such as Vitra, Kvadrat or Moroso are energetic and expressive. His unique way of combining tradition and the contemporary in his products has been awarded many times.

DESIGN

Four legs and a seat shell

6/13/2015

Yes, folks, it really does exist: the universal chair of 2015. It was designed by various hands, comes in numerous versions and yet still follows a typology going back to a famous forebear. Ultimately, it is the subtle differences that count.

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