Revival vs. Innovation
by Fabian Peters | 4/25/2019
The grand review: These are the trends and highlights of this year's Milan furniture fair.
This time the focus of attention is a table designed for the Agnelli home in Rome: Manzù imagined a tabletop mounted on a central support secured to the floor. With the slenderness typical of Eero Saarinen’s designs and the resourcefulness of Pierre Chareau, he styled a base with a sculptural quality that supports a round top, with a central part turning relative to the outer crown where people sit at, so as to provide more effective service to each.
The table with central leg by Pio Manzù is the result of a profile rotating around a central axis. The archive drawings show how the profile was designed according to different geometric profiles, which generated a series of shapes with different tensions.
Alias decided to take a close look at the version with a symmetrical leg, a sturdy central column. The concept took shape and was given tangible form. The structure of the table, made of compact polyurethane painted different colours, supports the round top proposed in three sizes (140, 160 and 180 cm diameters). In keeping with the philosophy that inspired the original project, Alias developed a table top comprised of two elements: the central circle, proposed in stove enamelled or anodised or marble veneered aluminium, rotates relative to the crown, made of painted MDF, meeting a variety of functional requirements associated with contemporary life.
The table reflects the ability of the historic Italian-made design brand to select from the past an object having great innovative potential and transferring it into today’s world with a few touches that make it extremely current.
|Table finish||table with column base|
|Table top shape||circular|
medium density fibreboard (MDF)
shades of grey
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