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The new National Museum of Qatar in Doha by Ateliers Jean Nouvel
The new National Museum of Qatar in Doha by Ateliers Jean Nouvel
Othoniel studio / Martin Argyroglo
The new National Museum of Qatar in Doha by Ateliers Jean Nouvel

STYLEPARK TECHTEXTIL
More movement!

High-tech fibers are becoming ever more important in the construction industry too. That is why the “Buildtech” segment plays a key role at Techtextil 2019, the leading international trade fair for technical textiles and nonwovens, due to take place in Frankfurt/Main from May 14 to 17. Here we show you five trailblazing projects in advance – and in each of them technical textiles really make the architecture.
by Adeline Seidel | 5/3/2019

The latest developments in high-tech fibers and membranes that can be used in architecture are both manifold and exciting: New coatings and multilayer casings offer improved heat insulation, unconventional material composites lend the fibers greater tensile strength than iron, and new processing and manufacturing methods enable customized solutions. After all, ten percent of all technical textiles are used in construction and demand for building textiles surges by almost eight percent every year. We present five projects whose architecture is inconceivable without technical textiles.

Kolon One & Only Towers in Seoul by Morphosis
Kolon One & Only Towers in Seoul by Morphosis
Courtesy of Morphosis Architects, by Jasmine Park.
Kolon One & Only Towers in Seoul by Morphosis
The dynamically shaped sun protection elements are made of fiber-reinforced polymer and Aramid.
Courtesy of Morphosis Architects, by Jasmine Park
The dynamically shaped sun protection elements are made of fiber-reinforced polymer and Aramid.
As brise soleil they shade the façade.
As brise soleil they shade the façade.
Courtesy of Morphosis Architects, by Jasmine Park
As brise soleil they shade the façade.

With fibers from bulletproof vests

The futuristic-looking western façade of the Kolon One & Only Tower features organically shaped brise-soleil elements that shine white in the sun. It almost seems as though they are hovering above the glass wall. US architecture practice Morphosis designed the high-rise for the Korean textile manufacturer Kolon, which has brought its offices for sales, marketing and management as well as R&D section here under a single roof to generate synergies between the departments. The elements of the self-shading façade were jointly developed by Kolon and Morphosis. The new product perfectly symbolizes the company’s research drive: It was made from fiber-reinforced polymer (FRP) with Aramid. Hitherto the lightweight high-tech fiber has been used in bulletproof vests and aircraft construction. Combining these materials drastically increases its tensile strength, making it five times higher than that of iron. 

The cultural centre "The Shed" forms the heart of the Hudson Yards development area in Midtown Manhattan.
The cultural centre "The Shed" forms the heart of the Hudson Yards development area in Midtown Manhattan.
Photography by Iwan Baan, Courtesy of The Shed
The cultural centre "The Shed" forms the heart of the Hudson Yards development area in Midtown Manhattan.
The retractable hall made of steel and EFTE panels, which is placed over the building, is unique to date.
The retractable hall made of steel and EFTE panels, which is placed over the building, is unique to date.
Photography by Iwan Baan, Courtesy of The Shed
The retractable hall made of steel and EFTE panels, which is placed over the building, is unique to date.

A giant on wheels

The latest ‘in’ meeting point of the New York cultural scene is “The Shed,” located in Manhattan’s new development area, Hudson Yards. The building with over 18,500 square meters of exhibition and event space was designed by Diller Scofidio + Renfro. What is special about the eight-story structure is its retractable shell: The U-shaped outer skin can be extended like a telescope, almost doubling the total length of the building. The shell consists of an exposed steel frame on wheels. In order to make the moveable façade as lightweight as possible, the architects opted for translucent ethylene tetrafluoroethylene (EFTE) panels to cover the steel structure. Added to which, this light, durable material has thermal properties similar to insulating glass. Meaning the temporary space can be used for a variety of functions – as an exhibition space, for concerts, film screenings, performances and of course also for all kinds of festivals.

The former Convento delle Grazie is part of the museum quarter "M9" in Mestre von Sauerbruch Hutton.
The former Convento delle Grazie is part of the museum quarter "M9" in Mestre von Sauerbruch Hutton.
Alessandra Chemollo, Sauerbruch Hutton
The former Convento delle Grazie is part of the museum quarter "M9" in Mestre von Sauerbruch Hutton.
The architects covered the courtyard of the convent with a two-layer membrane roof.
The architects covered the courtyard of the convent with a two-layer membrane roof.
Alessandra Chemollo, Sauerbruch Hutton
The architects covered the courtyard of the convent with a two-layer membrane roof.

Calm under the roof

Anyone planning to visit Venice should think about including a trip to Mestre, the mainland sister of the lagoon city. For this is where Sauerbruch Hutton has realized the new museum district “M9” – a well-conceived city quarter that intelligently weaves the existing and the new buildings into the urban fabric. Alongside the striking museum architecture featuring coarse concrete and ceramic tiles, one place exerts a special kind of fascination: the inner courtyard of the former convent Convento delle Grazie. The Berlin-based architects carefully renovated the 16th-century building and converted it for office use and hospitality. The heart of the project is the former convent’s fully enclosed interior courtyard, to which the architects gave a “fifth façade” – a translucent roof made of a membrane by Italian manufacturer Serge Ferrari. The lower membrane layer, the one facing the courtyard, consists of a polyester HT fabric with PVC coating and has acoustic properties to boot. Indeed, the special fabric mesh enables sound to penetrate the fabric pores, but not escape again. The upper membrane layer is polyester with a flexible PVC composite with a polyvinylidene fluoride (PVDF) coating. This ensures even greater resistance to climatic factors, dirt and air pollution. The roof, with its polygonal lines and resting on extremely filigree supports, immerses the inner courtyard in a gentle light and creates a pleasant atmosphere of lightness and calm – a public space in which spending time is truly enjoyable, especially as is it pleasantly cool here even in the summer heat.

Ateliers Jean Nouvel were inspired by the sand rose, a desert crystal, to create the shape of the National Museum of Qatar.
Ateliers Jean Nouvel were inspired by the sand rose, a desert crystal, to create the shape of the National Museum of Qatar.
Iwan Baan
Ateliers Jean Nouvel were inspired by the sand rose, a desert crystal, to create the shape of the National Museum of Qatar.
The architects used fibreglass-reinforced concrete for the striking pane shapes.
The architects used fibreglass-reinforced concrete for the striking pane shapes.
Iwan Baan
The architects used fibreglass-reinforced concrete for the striking pane shapes.

Desert rose made of fiberglass-reinforced concrete

Für den Entwurf des neuen Nationalmuseums von Katar in Doha nahm sich der Architekt Jean Nouvel die Sandrose zum Vorbild. Die kristalline Besonderheit Nordafrikas kommt in verschiedenen Größen und Formationen vor. Doch ihnen allen sind die charakteristischen, scharfkantigen Scheiben, die "Blätter" der "Rose", zu eigen. Und so stapeln sich bei Nouvels ausladendem Museumsbau die überdimensionalen Scheiben dramatisch aufeinander, bilden Wände und Dächer, formen Vorsprünge und Nischen. Um dem Vorbild aus der Natur gerecht zu werden, entschieden sich die Architekten für einen Stahlrahmen, auf dem die ineinandergreifenden Scheiben mit glasfaserverstärktem Beton verkleidet wurden. Dies lässt die "Blätter" des Nationalmuseums unglaublich schlank und ihre Ränder fast messerscharf erscheinen. Der warme Sandton erinnert dabei an eine Wüstenlandschaft. Durch die Plattenzuschnitte des Glasfaserbetons und die Fugen entsteht ein Ornament, das an arabische Schmuckformen erinnert.

Architect Jean Nouvel drew his inspiration from a desert rose for the design of the new National Museum of Qatar in Doha. The North African crystalline phenomenon occurs in various sizes and formations, but they all feature the characteristic sharp-edged plates, the “petals” of the “rose.” Thus in Nouvel’s expansive museum building the oversized disks are dramatically stacked up, forming walls and roofs, overhangs and niches. In order to live up to nature’s example, the architects opted for a steel frame on which the interlacing disks were clad with fiberglass-reinforced concrete. This makes the “petals” of the National Museum appear incredibly slender and their edges almost razor-sharp. Meanwhile, the warm sandy tone calls to mind a desert landscape. The way the reinforced-concrete panels are cut and the joins give rise to an ornament reminiscent of Arabian decorative shapes.

Gerber Architekten have designed the new King Fahad National Library in Riyadh.
Gerber Architekten have designed the new King Fahad National Library in Riyadh.
HGEsch, Gerberarchitekten
Gerber Architekten have designed the new King Fahad National Library in Riyadh.
The awnings in front of the glass façade are reminiscent of Arabic tent constructions.
The awnings in front of the glass façade are reminiscent of Arabic tent constructions.
Christian Richters, Gerberarchitekten
The awnings in front of the glass façade are reminiscent of Arabic tent constructions.

Awnings protecting knowledge

The King Fahad National Library by Gerber Architekten in Saudi Arabia’s capital Riyadh is a calm structure – on account not just of its spatial arrangement, but also of its architectural shape and façade. The latter’s rhomboid textile awnings call to mind Arabian tent structures. Approaching the building, you can see that the presumably two-dimensional textile awnings overlap, protrude and recede and generate an interesting constellation of shadows in front of the library’s glass façade. The shape of the façade awnings was optimized in line with the local path of the sun; as such they provide the necessary sun shading when outside temperatures hit 50 degrees Celsius. All the while, it is possible to look inside the building from the outside and vice versa. The sun-protection awnings, which are affixed to a filigree steel-cable structure, allow a mere seven percent of solar energy to penetrate the façade.

Techtextil – Leading international trade fair for technical textiles and nonwovens 

Messe Frankfurt
From May 14 to 17, 2019

Opening hours:

9 a.m. – 6 p.m. (May 14 to 16)
9 a.m. – 5 p.m. (May 17)