A touch of new objectivity
by Fabian Peters | 5/10/2018
Quo vadis, furniture design? This year’s Salone del Mobile reveals a few ideas. An analysis in our glance back at the fair.
Klara is a wooden armchair designed by Patricia Urquiola for Moroso. The design works on a simple, linear aesthetic that is harmonious in its curved yet essential shape. The use of wood emphasises its lightness and elegance.
The structure is both functional and decorative, and calls to mind the first serial productions of the early 20th century (not least) due to the use of woven cane, a hand-crafted technique in practice in Friuli a century ago.
For its production, Moroso decided to work with the Manzano chair-manufacturing district, both in recognition of a production area that has represented Italian excellence in the production and industrial processing of wooden chairs for over a century, and because Moroso has always considered fine Italian, and in this case local craft skills to be of great value.
The name Klara evokes a sense of tranquillity (Klare in German means clear, limpid, whilst the Spanish equivalent Clara communicates serenity). Thus this project also emphasises the importance of blending decorative art, craftsmanship and industrial design.
|Seat finish||with upholstery|
|Width of seat||620 mm|
|Height of seat||400 mm|
|Depth of seat||580 mm|
|Base finish||with rockers|
|Backrest finish||without back padding|
|Armrest finish||with armrests|
|Height of armrests||560 mm|
|Colors||shades of brown|