Archive

Young Scandinavian labels and their designers are riding the wave of continuing success. But why is it that Neo-Scandinavianism is such a hit?

In Kuehn Malvezzi’s extension to the Moderne Galerie of Saarlandmuseum in Saarbrücken, a work of art by Michael Riedel serves as the façade.

Stattmann Neue Moebel makes use of solid-wood furniture to form a symbiosis with the passive prefab house by architecture studio Atelier Ordinaire.

Nortstudio from Antwerp creates objects with a mix of colour, form and material that have a graphic effect.

The revolutionary “J.Gast” kitchen system by Holzrausch, OHA and Relvāokellermann.

In three locations in Hamburg, Wagner Living shows just how easily these versatile classic chairs chime with modern bar and restaurant concepts.

A catalogue raisonné and an exhibition on the work of Swiss designers Susi and Ueli Berger

A well-conceived functional clubhouse for three Rotterdam sports clubs by NL Architects.

Using Krion, a composite mineral, the Porcelanosa Group is creating robust surfaces that look as though they were made from a single piece: for the “Noor Island Park” in the United Arab Emirates.

Swarovski Lighting has developed the "Infinite Aura" luminaire collection in collaboration with the design and innovation consultancy Ideo.

pool Architekten have configured the school building “Vinci” in Suhr in the canton of Aargau around a breathtaking staircase.

For The Listing in London, Arrmet's "Strike" collection of chairs was chosen for its unique design.

Sergio Mannino Studio has designed a pharmacy in New York City that acts as an interface between offline and online business.

A classic of German industrial design celebrates its 50th birthday: The LS 990 by Jung was the first modern light switch.

Reinier de Graaf builds “Plattenbau for the rich” and considers communist East German architecture to be pioneering. We met him in Munich for an interview.

The Stedelijk Museum is staging a major exhibition that reflects on the erstwhile hippy Mecca that is Amsterdam.