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Some things are so good that they require few words – as they can simply speak for themselves. On the occasion of the 2008 Salone del Mobile in Milan, Nils Holger Moormann published a thin broadsheet entitled “Il Giornale di Milano”, the title page of which boasted a brief interview between Moormann and an otherwise anonymous journalist.

Observations at the Milan Salone Internazionale del Mobile 2008

From delicately patterned plush of recent years to supernormal chair à la Francfort, from high-end cooking isle on a manor-house kitchen scale to cool pixeled sofa, and from soft carnation seat made of scraps of material to a bohemian-like golden background - in an age of hybrid diversity there is nothing which does not exist. And thus thousands of paths meander through the 2008 Milan Salone, none of them individual or even singular.

There is something magical bout the fact that slight pressure on a touchscreen enables you to illuminate a room, dim all the lights or even activate the mood lighting in the garden, too. Irrespective of whether we need this, or even want it, which is simply a moot point.

Every other year it’s that time again: The gates to the Light+Building trade fair open up and there is, quite literally, light. Once again this year in Frankfurt the largest and most important light exhibition confirmed its pioneering role in a highly impressive manner.

Recliners and over-ornamented seating - room installation and colorful weltanschauung: Almost 30 years after its first fiery appearance, Verner Panton’s Amoebe is experiencing a comeback. Verner Panton created his colorful Visiona installation at the Cologne Furniture Fair in 1970. The Amoebe Highback was part of it and is again increasing in significance today as a place of withdrawal: Vitra has again started production of the colorful chair.

There are light sources which simply illuminate something; and there are luminaires which contribute to the illumination in multiple ways at once, be it by means of ingenious technology, the material used or a particular iconic quality. With Artemide, we strive to bear in mind all possible factors when it comes to a new luminaire or a lighting system.

On the occasion of Luminale, the lighting design company Foscarini, based in Marcon near Venice, introduces a world premiere of the new design concept "Tropico". It is designed by Giulio Iacchetti, one of the most successful and promising newcomers of the Italian design scene, recently awarded with the important design prize Compasso d´Oro.

Often it is small things, seemingly insignificant inadequacies that make our lives in the everyday microcosm of our own four walls difficult, and make a smooth sequence of actions harder. Thus we necessarily initially place the shopping bags on the floor while we search for the light switch next to the door frame. Or sit up with a sigh in bed when we notice that we have forgotten to turn off the light.

"Fantasma" was the name given in 1962 to one of the first luminaires produced by the newly-founded company of Flos. The name was chosen by the luminaire's designer Tobia Scarpa and likewise could have served as a motto for the entire product range made under the brand label, as for almost half a century now Flos has been highly imaginative in the luminaires is has produced.

Like plants, humans are attracted to light. Yet there are great differences in light. Each activity or mood calls for a quite particular light, for very special luminaires, and today technical lighting solutions are also expected to be as energy-efficient and eco-friendly as possible.

Giving profane installation and facilities systems technology a pleasant and impressive design is truly no easy undertaking. The special presentation by the highly-experienced Sauerland-based company Berker shows that this can best be proven using a real building: The setting has the stuff to easily be the most spectacular at this year's Light & Building.

Swarovski has long since ceased to celebrate all its countless variants on light and crystal with glittering necklaces. Thus, the company has had internationally renowned designers re-interpret the classical crystal candelabras - the likes of Ron Arad, Ingo Maurer, Tom Dixon, Marcel Wanders and Karim Rashid have all been involved in the code name "Crystal Palace" project.

A desk lamp needs first and foremost to be dazzle-free. To ensure this is the case, the "Flatlux SL II" standard lamp Ludwig Leuchten are presenting at the Light+Building 2008 uses a plastic pane with microstructured prisms. The luminosity is generated primarily via a secondary light source and coupled with a dust-protecting hood over the top of the lamp makes for great working light. The luminaire can be dimmed, has clean lines, and unobtrusive.

The International Council of Societies for Industrial Design (ICSID) has chosen the north Italian city of Turin as the "World Design Capital 2008". We already know that Italy is renowned for its good design. But that a city can be designated the "world design capital" is something new.

He started his career in a team, has been self-employed for the last five years but enjoys working on development projects as part of a group, for a change. The Alma light, for example, is the result of a joint venture with Swiss fashion designer, Lela Scherrer and product designer Christan Deuber.

One furniture manufacturer which has recognized and supported the potential of Spanish creative talent ever since the 1950s is Andreu World. The initially small furniture company has specialized in the production and sale of designer tables and chairs for home living and the commercial world.

She is not an engineer, yet she loves machines. She is not a performance artist, yet she gives design a theatrical component. She is not a pyrotechnic, yet she loves playing with fire. Sarah van Gameren does not stage the end product, she makes the production process a spectacle.

Marcel Duchamp's famous readymades are objects which have been removed from the sphere of the useful and placed in a new context. For US designer Stephen Burks, this "multiple use" and the fact that our perception influences the intuitive use of an object are highly inspiring.

Now that the market for big boys and girls is saturated, it is evidently the little ones' turn. Jacobsen's Ameise chair and Panton's chair have long been available for children too, and now Living Jewels is continuing the trend with its Serie_01 furniture. The items are a miniature version of the LC2 series designed by Corbusier and Charlotte Perriand, or rather something close to the original. After all, the cubic armchair LC2, which we know well enough from talk shows and reception areas, is one of the modern furniture classics.

It can be quite a burden to accept an inheritance. In this case, it may help to nurture a somewhat uncomplicated dialog with color, material and form, like Ferruccio Laviani, born in Cremona (Italy) in 1960, whose approach gives him a definite advantage.