Going vintage ain’t enough
by Daniel von Bernstorff |
16 June 2013
The Design Miami trade fair, which runs parallel to Art Basel, was not very convincing. It lacked a clear curatorial thrust, exciting exhibitions and statements. And not least there was no clear position on contemporary design, although this is so sorely needed.
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Dreaming of Warsaw
by Leyla Basaran |
14 June 2013
The mood was good, the atmosphere great: The DMY Design Festival at Berlin’s Tempelhof Airport complex showed what 500 new design talents can come up with if they try. Innovations were in short supply, however, for all the party feeling and Poland as guest country.
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Bridging a gap or a bridge to urban disaster?
by Thomas Edelmann |
13 June 2013
Hamburg thrives on its port and on occasion subordinates quality of life to the port’s needs. A new city highway is expected primarily to ease commercial traffic. First up, a design for a new bridge was highlighted. It is stunningly beautiful, but the overall project remains dubious.
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The Serpentine Cloud
11 June 2013
Japanese architect Sou Fujimoto created this year’s Serpentine Gallery Pavilion in London. Daniel von Bernstorff, Stylepark, spoke to Sophie O’Brian, Senior Exhibition Curator, about the idea behind, the choice of Fujimoto and the Pavilion as an interdisciplinary platform.
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13 questions to Diébédo Francis Kéré
07 June 2013
Diébédo Francis Kéré’s works on the premise that building with mud and clay is not only inexpensive and sustainable; it also constitutes a unique cultural asset. Özlem Özdemir spoke to the architect from Burkina Faso about why mud’s appeal as a building material, knowledge transfer in his homeland and the responsibility to preserve one’s own culture.
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Young British Charisma
by Antje Southern |
05 June 2013
Three intensive days in May on Clerkenwell Design Week are brought to a close. Catching up with a truly British interpretation of international design impulses and gaining glimpses of the thought processes that drives creative studios.
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Questions for D. Hager & M. Sauerbruch
02 June 2013
Sauerbruch Hutton has designed a forum for the Hager Group at its head office in Obernai, Alsace. Robert Volhard talked to Daniel Hager, CEO of the Hager Group, and architect Matthias Sauerbruch on the requirements the new building had to meet, the human resource factor and the advantages of flexible, open structures.
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Others were more radical
by Mathias Remmele |
31 May 2013
At the moment, as part of the Van-de-Velde Year, Erfurt’s hosting an exhibition on architect and designer Peter Behrens. While there can be no doubting his status as the father of Modernism, in retrospect the one or other of his designs seems decidedly a product of its day.
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What can the city do for me? What can I do for the city?
by Martina Metzner |
29 May 2013
Our cities are already bursting at the seams. We need new forms of mobility to shape life in the megacities of tomorrow. In New York experts from Audi teamed up with architects, urban planners and academics to seek answers to one of the most pressing questions of the future.
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Light up the cardboard
by Kerstin Baumgartner |
26 May 2013
For their 25th annual setting, the International Contemporary Furniture Fair brought environmental awareness to New York.
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A kaleidoscope of aviation
by Mathias Remmele |
24 May 2013
Not just for aviation enthusiasts: The photo book “Swissair Souvenirs” affords readers an insight into all areas of civil aviation and at the same time makes for a new piece of photography history.
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Viva Lina! An Italian in Brazil
by Uta Abendroth |
22 May 2013
Disappointed by political developments in her home country, after World War II Lina Bo Bardi turned her back on Italy. In Brazil, the architect followed the new social trends and took part in designing Modernism there – and to this day has taken a back seat to great colleagues such as Oscar Niemeyer.
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Questions for Ippolito Pestellini Laparelli (OMA)
19 May 2013
The new collection by Rem Kohlhaas’ OMA for Knoll International is one of the positive surprises of this years Salone. Daniel von Bernstorff spoke to Ippolito Pestellini Laparelli, head of the OMA design team, about the cooperation with Knoll, the poetry of moving marble and about the end of signature design.
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It’s not art but does that make it design?
by Thomas Edelmann |
17 May 2013
“Werner Aisslinger – Home of the Future” is currently on display in Berlin’s Haus am Waldsee, an exhibition space for contemporary art. A designer presenting his work in the art context: Can that be a good thing?
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One seam less
by Markus Frenzl |
15 May 2013
It is often the case that quantity trumps quality nowadays and the leather industry is no exception. The new handbag label Tsatsas consciously takes a different approach. The bags it makes not only demonstrate flawless craftsmanship; they are also wowing the design world with their clear-cut forms.
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Bauhaus in Calcutta
by Ralf Wollheim |
13 May 2013
The title evokes images of gleaming white houses in some far-flung exotic land filled with elegant tubular steel furniture. The first Bauhaus exhibition was certainly quite different in terms of appearance.
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The Bilbao defect
by Ralf Wollheim |
12 May 2013
Even those members of the general public who only rarely go to exhibitions or attend concerts know the cultural temples erected by the likes of Frank Gehry and Zaha Hadid – from the TV or magazines. Spectacular museums and concert halls have long since become a city marketing tool. An exhibition in Berlin takes a closer look.
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In two places at the same time
by Thomas Wagner |
10 May 2013
One of architecture’s many functions is to create places and spaces. But how is architecture supposed to fulfill such a charge when we live in a world in which we constantly experience the feeling that we are in two places at the same time?
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Twelve urban garden tools
08 May 2013
Today amateur gardeners are referred to as urban gardeners. The new generation of urban nature lovers has no need for simple flower pots; multifunctional is the name of the game!
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Twelve adult playgrounds
08 May 2013
Crawling into hanging birds’ nests, taking refuge in airy tipis and hiding in modern wooden constructions: Kids aren’t the only ones allowed to play outdoors.
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18 million coins for the Underground
07 May 2013
In 2012, Edward Barber uand Jay Osgerby caused quite a stir with their design for the Olympic torch. This year the two architects are placing a renewed emphasis on furniture design. Uta Abendroth met with one half of the duo, Jay Osgerby, in Milan, where their sofas, tables and stool premiered at Knoll.
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Colour Attack!
by Martina Metzner |
06 May 2013
Loud colors, pastel hues and any amount of highlights. New, unusual color designs for tables, chairs and sofas really stimulated the eye in Milan. Following fashion’s suit. The best example is Vitra with a new color concept for its classics. From occasional contrasts to complete color harmony – the trend is definitely for interiors to become more colorful. And a good thing, too.
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Warning: Furniture subject to mood swings
by Leyla Basaran |
06 May 2013
From parasitic furniture design to depressing lighting, to poetic wall projections. The young generation of designers at SaloneSatellite turned out to be both fresh and experimental in their approach. And in the competition to be crowned the best young designer at SaloneSatallite it was Portuguese designer Tania da Cruz who came out on top with her range of sustainable cork products.
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Life is too short for jetlag
02 May 2013
Jean-Marie Massaud lives and works according to the motto “Design is nothing, life is everything.” Uta Abendroth spoke to the Frenchman about his “Lightwing” design for Foscarini, the quality of light, the right way to grow and life outside of work.
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Pleasing an entire island
by Thomas Edelmann |
30 April 2013
Hamburg is building 6'000 new homes each year. The city is upping its density. And now it is presenting exemplary urban development in the form of the international building exhibition “IBA Hamburg”. Or not?
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Teeth on a string and a Matterhörnli in a box
by Andreas Bee |
29 April 2013
A Swiss army knife with the head of a bearded man hidden somewhere among the blades and tools but that despite its multitude of capabilities can’t do what Peter Sauer does, namely, carve. It is joined by a Matterhörnli chocolate in a box, Jochen Rindt’s ruined Ferrari in a nutshell – and a Swiss passport as a catalog, which provides a coveted insight into Sauerer’s “Miniversium”.
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The path is the goal
by Uta Abendroth |
26 April 2013
This year’s Ventura Lambrate was part of the FuoriSalone for the fourth time. The meeting point for next-generation design, experiments and ambitious individual exhibitors had a real feel of work in progress about it. Development and manufacturing processes played a major role.
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Curtain raised in Weil am Rhein
by Daniel von Bernstorff |
25 April 2013
The Vitra Campus gleams resplendent with a new building designed by masters of the trade: the production hall for Vitrashop by Japanese architectural duo SANAA. A classy contribution to contemporary industrial culture and not least a paramount example of formally perfected weightlessness.
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